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The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

A rap video, filmed with the back-up camera of a Bentley Continental GT. ‘We wanted to film using the dearest, heaviest and most inconvenient camera in the world, one that is also not especially good to boot,’ the band's press release says. A stylish film studio, a dolly and tracks for the heavyweight status symbol and reverse gear left in throughout. Money doesn’t make you happy, and necessity is the mother of invention. This is how clichés are taken ad absurdum.

A rap video, filmed with the back-up camera of a Bentley Continental GT. ‘We wanted to film using the dearest, heaviest and most inconvenient camera in the world, one that is also not especially good to boot,’ the band's press release says. A stylish film studio, a dolly and tracks for the heavyweight status symbol and reverse gear left in throughout. Money doesn’t make you happy, and necessity is the mother of invention. This is how clichés are taken ad absurdum.

Two young police officers find themselves torn between collaboration and resistance as they navigate the Nazi-occupied Antwerp during World War II.

本作记录了在没有电和水的山中过着狩猎生活的东出昌大长达一年的时间。在片中，他展示了自己捕获的鹿和野猪作为食物，同时与当地居民互动，但影片也揭示了他内心的混乱情绪和挣扎。

電気や水道のない山で狩猟生活を送る東出を1年間記録した本作。作中では、自分で獲った鹿やイノシシを食べ、地元の人々と触れ合いながらも、混沌とした気持ちや葛藤を抱える彼の姿が映し出されていく。

Former college basketball star Will (Obaka Adedunyo) is struggling to kick his heroin addiction and find a stable job, while Jean (Loretta Devine, Waiting to Exhale), his tough but supportive wife, works hard to keep their household afloat. A renewed sense of purpose arrives in the form of a drug-using, destitute 12-year-old, whom Will takes in and affectionately nicknames Little Brother. Will adopts a mentor role towards the boy in order to incentivise himself to do better, but returning to the straight and narrow path proves fraught with temptation. 　　Unapologetically frank and deeply emotional, Will features fierce performances from Adedunyo and prolific actor Devine in her first film role. Trailblazing director Jessie Maple made the film on a shoestring budget of $12,000, shooting on 16mm alongside her husband, cinematographer LeRoy Patton. Maple’s determined DIY ethos even extended to exhibition: for the film’s premiere, she and Patton converted the basement of their Harlem brownstone into a cinema dubbed 20 West, which became a long-running venue used to elevate other Black filmmakers. Recently restored from near obscurity and championed by directors such as Julie Dash, this pioneering film can at last be granted its due. 　　“Will’s crisis has a spiritual dimension, and Maple evokes it, dramatically and symbolically … a blunt cinematic instrument of immense power.” – The New Yorker

科学家与变异的僵尸生物作斗争。

科学家与变异的僵尸生物作斗争。